Temple architecture always carries the most important symbolic meanings, it has special functions, tasks, design features. History shows that often it is she who determines the development of the prevailing style in a particular era. Since in the Soviet era, churches were not built in the countries of the Soviet Union, now temple architecture has to bridge the gap of 70 years. According to Artur Kupreychuk, this implies a search for new approaches, new design solutions.
The space of the temple, designed by the young architect Arthur Kupreychuk, is intended primarily not for official services and religious rites, but for prayer, for revelations before God and oneself.
The interior of the temple is brought to asceticism by the absence of any decor and unnecessary details. Transparent stained glass icons and candlesticks do not touch the floor, only a lectern is left in front of the iconostasis. The bottom row of frosted glasses hides from prying eyes, makes it possible to concentrate only on why they come here. But at the same time, the entire inner space is bathed in light, breathes, the visual connection with the outside world is preserved. Metric repetition of spider connectors on glass works like an ornament, but in a modern non-decorative interpretation.
Gives warmth to the interior "/>
