What is brutalism, and why is it becoming a fashionable trend again?

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What is brutalism, and why is it becoming a fashionable trend again?
What is brutalism, and why is it becoming a fashionable trend again?
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No wonder they say: "New is well forgotten old." Especially when it comes to fashion or arts and crafts. In the case of architecture, there is no style that exemplifies this principle better than brutalism. From the middle of the last century, this trend very quickly became popular, before only 20 years later it collapsed as a model of bad taste. But now everything has changed, the creators with a new interest and from a different angle looked at the once ridiculed style.

1. Is it only a rough appearance that served as a reason to call the style brutalism?

Torre Velasca, designed by the architectural company BBPR in 1958 (Milan, Italy)
Torre Velasca, designed by the architectural company BBPR in 1958 (Milan, Italy)

Brutalism as a concept did not come from its harsh aesthetics, but from the material from which structures were built. Béton brut is a French term that literally translates to “raw (raw) concrete”. And it is used to describe an iconic aesthetic known as Brutalist architecture. Followers of brutalism have taken full advantage of the use of concrete and steel to create incredible elements that simply cannot be made from any other material.

Telecommunication center in Skopje, designed by architect Janko Konstantinov in 1963 (Macedonia)
Telecommunication center in Skopje, designed by architect Janko Konstantinov in 1963 (Macedonia)

Brutalist buildings with a distinct graphic quality and imposing geometric shapes were ideal for institutional buildings. When creating them, the architects compensated for the reduction in material and color in full with the richness of expressive elements and capricious forms.

And the fact that for construction it was possible to use an affordable and economical material and produce modular structures has become a fundamental criterion in the design of multi-apartment buildings in order to meet the need for housing in a short time.

2. The origins of brutalism

The Unite d'Habitation residential complex in Marseille is a legendary project by Le Corbusier (1945-1952)
The Unite d'Habitation residential complex in Marseille is a legendary project by Le Corbusier (1945-1952)

There is an opinion that the passion of the Swiss-French architect Le Corbusier for reinforced concrete structures laid the foundation for a new direction - brutalism. His first large-scale project, Unite d'Habitation in Marseille (France), envisaged the creation of housing for the working class, in which 1,600 people could live. This complex, which required the creation of a gigantic frame of concrete and metal, devoid of decorative elements, and laid the foundation for future projects of the brutalist direction.

The Geth Villa in Kobo by Swedish architect Hans Asplund
The Geth Villa in Kobo by Swedish architect Hans Asplund

Although the concept itself was introduced by the Swedish architect Hans Asplund when he described a square, however, brick house called Villa Get, built in 1949. It is believed that from this period brutalism began to spread rapidly throughout the world. It became especially popular in dilapidated Europe and the Soviet Union, which actively restored settlements, although in the United States, Canada, Japan, Brazil there are striking architectural examples of this direction.

The formidable residential Trellick Tower by the tyrannical architect Erne Goldfinger (London, 1972)
The formidable residential Trellick Tower by the tyrannical architect Erne Goldfinger (London, 1972)

Reference: The luminaries of architecture, who believed that buildings should be unique and recognizable works of art, to have "austere poetry of complex and powerful acting forces" paid tribute to brutalism. Among the most famous architects are Frank Lloyd Wright, Louis Kahn, Alvar Aalto, Alfonso Reidy, Paul Rudolph, Marcel Breuer, Kenzo Tange, I. M. Vinogradsky and others.

3. The fall of brutalism

One and the suburbs of Paris, where social housing was being actively built, is turning into a ghost (a residential complex in the Ivry-sur-Seine district, France)
One and the suburbs of Paris, where social housing was being actively built, is turning into a ghost (a residential complex in the Ivry-sur-Seine district, France)

Despite all the practicality and functionalism of brutalism, not everyone accepted and considered it rude, tough and uncouth. In the 1980s, it went out of fashion very abruptly. This was partly due to those cold and harsh features often associated with totalitarianism. But the main sign that brutalism has outlived its usefulness is the imperfection of the basic material. The raw concrete used in construction turned out to be not a very durable building material and the slightest damage, aggravated by the influence of weather conditions, caused inevitable destruction, which affected the overall aesthetics of the building.

Most of the objects that were built by followers of brutalism, if not destroyed, then stand abandoned (Residential complexes in Genoa and Munich)
Most of the objects that were built by followers of brutalism, if not destroyed, then stand abandoned (Residential complexes in Genoa and Munich)

British critic Theodore Dalrymple, for example, called buildings made of concrete "monstrous", pointing out that they "do not age gracefully, but instead crumbles, stains and decays." The critic argued that any of the buildings, created in the style of brutalism, "can destroy the harmony of the entire cityscape."

The impressive multi-level residential complex in Wuppertal was built in 1966 (Germany)
The impressive multi-level residential complex in Wuppertal was built in 1966 (Germany)

Brutalism was also accused of the fact that mass development worsened not only the appearance of cities, but also did not allow organizing a decent infrastructure, which led to disorder and an increase in crime. Very quickly, sleeping areas in the countries of Europe and America turned into dangerous zones with a large concentration of not very prosperous citizens. For this reason, brutalism came to be seen as a symbol of urban decay and economic hardship, which were inherent in all countries of the world. It is also worth noting that raw concrete began to attract street artists, becoming the ideal canvas for graffiti artists, whose vandalism only contributed to the decline of these structures.

Many concrete objects have become an endless canvas for street artists to hone their craft
Many concrete objects have become an endless canvas for street artists to hone their craft

Countless buildings have been demolished since the brutalist style went out of style, although some of the objects did deserve restoration and conservation, because not everyone considers them ugly or an eyesore. Many people understand that their destruction is an irreparable loss of both history and a part of the beautiful architecture and modern sculpture made of concrete, which has a special aesthetic value.

4. Increased interest in brutalism these days

Modern capabilities and innovative materials have brought brutalism to a new level (Skolkovo Technopark and the project of the studio of Arman Boyarkov)
Modern capabilities and innovative materials have brought brutalism to a new level (Skolkovo Technopark and the project of the studio of Arman Boyarkov)

No matter how hard they tried to destroy all the canons of brutalism, over the past 5 years there has been a new assessment of this style and a rethinking. A new generation of architects and even ordinary people are delighted with its graphic quality, brutal forms, effective minimalism and clear lines without any frills.

Non-rutalism is also vividly reflected in temple architecture (Faisal Mosque and Doha Mosque)
Non-rutalism is also vividly reflected in temple architecture (Faisal Mosque and Doha Mosque)

Now you can see quite impressive projects with distinct monumental concrete volumes that attract with their severity and minimalism. No one knows exactly why brutalism has become fashionable again, well-known critic Brad Dunning of GQ, for example, voices one interesting theory: “Brutalism is the techno music of architecture, harsh and menacing. Brutalist buildings are expensive to maintain and difficult to destroy. They cannot be easily altered or changed, so they tend to remain as the architect intended. Maybe movement is back in vogue with a roar, because consistency is especially attractive in our chaotic and decaying world."

5. Decent examples of brutalism

Despite the fact that many consider brutalism to be rough, blocky, cold and cubistically minimal, it does not leave anyone indifferent, it will always remain a bold and exciting architectural movement. The authors of Novate.ru have selected some of the world's best examples of brutalist architecture, proving that this style can also turn out to be immortal.

Whitney Museum of American Art by Marcel Breuer (1966, New York)
Whitney Museum of American Art by Marcel Breuer (1966, New York)
Geisel Library by William Pereira (California, 1970)
Geisel Library by William Pereira (California, 1970)
Residential complex Les Espaces d'Abraxas in Paris by Ricardo Bofil (France, 1983)
Residential complex Les Espaces d'Abraxas in Paris by Ricardo Bofil (France, 1983)
National Library of the Argentine Republic in Buenos Aires designed by Clorindo Testa in 1961
National Library of the Argentine Republic in Buenos Aires designed by Clorindo Testa in 1961
Joseph's Hospital was designed by the American architect Bertrand Goldberg (Tacoma, 1974)
Joseph's Hospital was designed by the American architect Bertrand Goldberg (Tacoma, 1974)
Robarts Library in Toronto from MATHERS & HALDENBY ARCHITECTS (Canada, 1943)
Robarts Library in Toronto from MATHERS & HALDENBY ARCHITECTS (Canada, 1943)

For those who want to understand a little about architecture and its directions, we advise you to start by getting to know 5 design styles, that best reflect contemporary aesthetics.

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